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Twentieth Century Fox Culture Movie reviews Film Movies Even when it threatens to turn into Apocalypse Now in a wobbly stretch near the end, War for the Planet of the Apes never ceases to be a movie, never turns into a product. That's to say that the filmmakers have conceived it as a dramatic and emotional experience and not just the scheme of a studio marketing department, the craven and transparent impulse that hobbles so many big summer movies. In fact, they have made a consistently intelligent, morally thoughtful and often beautiful picture. Matt Reeves, who helmed the second film in the franchise, Dawn of the Planet of the Apes, directed and co-wrote the script with Mark Bomback. Together they have created a story that is coherent and credible, and with character motivation fully thought out.
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‘War for the Planet of the Apes’: Is Nova the Same Nova From the Original?
′Planet of the Apes′: 50 years exploring humanity | Film | DW |
War for the Planet of the Apes is a conclusion. He was the central figure of all of the rebooted Apes franchise, and War shows him not just as the first smart ape, but also as the leader capable of forging a new civilization. Where some viewers may be confused, however, is in the conclusion setting up a possible tie to the original Planet of the Apes. Not really.
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But then again, maybe they do. Mark Bomback — the screenwriter on the new film — explains it like this: the new movies are a trilogy of prequels, meaning their stories will be viewed as mythology by a far-distant ape culture. Never forget, this is the franchise that destroyed the entire Earth in the final minutes of the second film, and went on to try to make three more movies. With War for the Planet of the Apes opening in theaters nationwide this weekend, Inverse caught up with Mark Bomback, to help guide us through how the new Apes connect with the future apes from the old movies. Very mild spoilers for War for the Planet of the Apes ahead.
Scroll down to content Home Dawn of the Planet of the Apes: A Deeply Enriching, Visually Stimulating, Moving and Richly Entertaining Film Experience Over the years, Hollywood has seen some truly abysmal remakes of classics, or franchise revivals, overcompensating for a lack of depth and plot with an excessive use of CGI and over-the-top sound effects. Fast forward to , and mere months preceding the release of Dawn of the Planet of the Apes, there was Godzilla: a stark example of a storyline or lack thereof jam-packed with non-stop chaotic action, soldiers running hither and thither yelling over epic background music, using complex military jargon in a bid to bring down amonster obscured by darkness in a visually aesthetic, but acutely empty saga that left plenty of viewers with the feeling of incredible dissatisfaction. In short: all style, and absolutely no substance. Dawn of the Planet of the Apes, on the other hand, was the larger-than-life, stirring sequel to its noteworthy predecessor Rise of the Planet of the Apes. On the flip side, the human race has been watered down to bare bones, with many having perished under the influence of the ape-amplifying virus.
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